Art History

Saint Luke Painting the complete(a) (1434 ) by Rogier van der Weyden (1400 ? - 1464 ) and medusan (1597 ) by Michelangelo Merisi da Caravaggio (1571 ? - 1610 ) will be compared and contrasted in this paperThe word- mention fruitings pass to different bearings , epochs and were created in different countries . Rogier van der Weyden is the bounteous lesson of Flemish domesticate of Painting that inherited Italian renascence traditions and combining them with Medieval Gothic features affected the further victimization of European fine artistic production . Van der Wyden learns the ponderous precise reality that characterises his early paintings at br the workshop of Robert Campin (1375-1444 ) when existence enrolled as an apprentice of the master . Saint Luke Painting the Virgin is attributed to the genuinely period . The depiction of Madonna as hearty as all the rest Christian plots is typical for the Flemish School masterpieces . Van der Wyden does not exclude this theme from his design every . The artist is the member of St . Luke guild which is the comm iodin of Flemish painters . gibe to the legend exactly Saint Luke the Evangelist was the archetypal Christian painter who painted Mother of God from bread and butter . He was the saint patron of painters and their guilds . Most of the paintings representing St Luke are doom for the altars of painters communities painting by van der Wyden is the altarpiece for the Brussels guildCaravaggio s earth is associated with the Italian baroqueness , which embodies new imagination closely unity , eternity and diversity of the world . Baroque replaced humanistic finale of spiritual rebirth and art subjectivism which is so typical for affectedness . The virtuoso ornamental compositions of religious , mythological and allegorical character pr edominate in the art works of Baroque style ! . Luxurious portraits punctuate the privileged social status .

Baroque is characterized by parade and action , pathetic exultation , feelings volume and passion for utile performances , overlap of reality and illusion , stiff contrast betwixt materials and textures , scales and rhythms , light and shade Baroque esthetics has the strong rules to dedicate for painting . These rules are introduced in the Treatise about Painting , inscribe and Architecture (1584 ) by Giovanni Paolo Lomazzo (1538-1600 , the contemporary of Caravaggio . It is hypothetical to follow the principles of the spectacular art of spiritua l rebirth . Caravaggio does not accept them because he considers that the character itself is true example for art , but not Renaissance neither classic scratch . Caravaggio revolutionises the art of the time by creating dramatic and realistic paintings . Caravaggio ever violates the principle of decorative art , at best he interprets it in his own way which provoke to hate and lovemaking his paintingsIn Greek myth , Perseus utilise the severed snake-haired head of the Gorgon medusa as a bulwark with which to turn his enemies to stone . By the sixteenth century Medusa was said to symbolise the ecstasy of reason over the senses and this may have been why profound del Monte commissioned Caravaggio to paint Medusa as the record on a formal shield presented in 1601 to Ferdinand I de Medici , Grand Duke of Tuscany . It destined to symbolise...If you wishing to get a full-of-the-moon essay, order it on our website: BestEssayCheap.com

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